ART IN THE OFFICE

Art in the office

Art & Heritage – When art breathes life into spaces.

Career path & VISION

1. Can you tell us about your background and what led you to create the LDG Art & Patrimoine gallery ?

You know, I've always been fascinated by how art can transform a place... and the people who pass through it.

After studying art history and specializing in the art market at the École du Louvre, I had the opportunity to enjoy some wonderful experiences in Rome and Paris—in galleries, on curatorial projects, and above all, through encounters with incredibly talented young artists.

And one day, I thought to myself: what if we rethought the way we experience a work of art?
Not just hanging it on a white wall. But a real dialogue: between the work, the architecture, the history of a place, and the daily lives of those who live there.

That's how LDG Art & Patrimoine was born—a nomadic gallery where I combine my passion for curating with tailor-made projects for businesses and individuals alike.

An adventure where each project becomes an encounter... and where beauty is always the guiding thread.

2. What made you want to create a dialogue between art, architecture, and professional spaces?

Architecture creates the framework... and art is its soul.

I imagined my first exhibitions in Rome—a city where every stone and every facade tells a story. There, heritage and architecture are not just a backdrop: they become a source of inspiration, a veritable showcase for contemporary art.

I firmly believe that art has this power: to transform the perception of a space, stimulate creativity, and enrich our everyday experience.
When art and architecture interact, something magical happens. We are no longer talking only about function, but about life, emotion, and presence.

I have had the opportunity to exhibit artists in very different venues—from private, intimate spaces to corporate headquarters.

But each time, the idea remains the same: to bring beauty into the places where we spend most of our time.
Because a place can be useful, yes... but when art is involved, it comes alive. And often it takes us by surprise. It amazes us.

3.What are your main missions today, and those of your gallery?

My role is twofold: on the one hand, to assist companies and individuals in selecting and integrating works that are suited to their space and identity; on the other hand, to support and promote artists by connecting them with projects that are meaningful to them and to the space.

View from part of the gallery
© LdG Art & Heritage

Artistic strategy

1. How does integrating art into office spaces go beyond mere decoration?

Art enhances workspaces. From an aesthetic point of view, art enhances spaces, creates a unique atmosphere, and gives soul to a workplace that is often too impersonal and standardized.

Art transforms the sensory and emotional experience of a place. It creates connections, arouses curiosity, and can even positively influence the creativity and well-being of employees. It's not just about "filling a wall," but about adding depth and meaning to the professional environment.

2. What are the essential criteria for selecting a work or artist for a design project?

The work must interact with the architecture, the history of the place, and the DNA of the company. But the artist must also have a sincere approach, and their proposal must open up a space for reflection or emotion for those who live or work in that place.

Art, architecture, and the identity of places

1. Your approach is closely linked to the architecture and history of the venues. How does this influence your curatorial work?

Each space has its own identity, proportions, and atmosphere. My job is to listen to these characteristics and find works that will complement them or create a poetic contrast. The history of the venue is an incredible source of inspiration for creating a rich dialogue.

2. How do you create a dialogue between a work of art and a company's identity, DNA, or architectural concept?

I always start by understanding the company: its culture, values, and positioning. Then I look for works that embody these traits and can enrich the experience of employees and visitors by playing with light, color, volume, and spatial layout.

3. Can you give a concrete example of a project where art has truly transformed the perception of a space?

For example, in a recent project for an innovative company, we created a masterful immersive work for their lobby in the form of a glass and brass suspension where the viewer can move around, losing touch with the real world, and place photographs on the walls of other spaces. These works change the perception of open spaces and relaxation areas. Employees begin to interact differently with their environment, and visitors are very surprised and enthusiastic.

Colorful artwork displayed outdoors
© LdG Art & Heritage
Seen from above a table
© LdG Art & Heritage

CSR, commitment, and employee experience

1. L’art peut-il être un levier pour renforcer la culture d’entreprise et créer du lien entre collaborateurs ?

Absolument.
L’art, c’est avant tout un moyen de créer du lien entre les gens.
C’est un vecteur de rencontres, d’échanges, de conversations qu’on n’aurait peut-être jamais eues autrement.

Quand une entreprise intègre l’art dans ses espaces, elle offre à ses employés, à ses clients, à ses partenaires… une occasion rare : celle d’échanger autrement, de sortir du cadre hiérarchique, de parler d’autre chose que de chiffres ou de dossiers.

Parce que l’art, c’est un langage universel.
Il ouvre le dialogue, stimule la créativité, et favorise l’inclusion.
Une œuvre d’art devient un point de rencontre, un sujet de discussion, une source d’inspiration commune.
Et puis, il y a la rencontre avec les artistes.
Les échanges, les visites d’ateliers, les outils de médiation — tout cela rend l’art accessible, même à ceux qui se disent “pas initiés”.
On ne se contente plus de regarder une œuvre : on découvre sa technique, sa démarche, son intention.

Et c’est là que la magie opère.
Parce que ce moment partagé, entre émotion et curiosité, touche quelque chose de profondément humain.
Face à l’art, on se sent vivant.

2. Comment les entreprises peuvent-elles concilier mécénat artistique, responsabilité sociétale et attractivité de leurs espaces ?

Eh bien, tout commence par le sens.
En soutenant des artistes émergents ou locaux, d’intégrer des œuvres durables, éco-responsables, ou simplement de rendre ses espaces plus agréables, plus inspirants pour tous.
Et puis, rien ne remplace la rencontre : j’encourage souvent les entreprises à aller voir les artistes, à visiter leurs ateliers. Parce que c’est là que naît le lien, la compréhension mutuelle, et finalement, la fierté de s’associer à une démarche artistique.

L’art, c’est bien plus qu’un objet décoratif.
C’est une manière d’exprimer ce qu’est l’entreprise, ses valeurs, sa vision du monde.
C’est un investissement responsable, qui montre une ouverture d’esprit et qui, en plus, vous différencie clairement de vos concurrents.
Quand on entre dans un lieu où l’art est présent, on ressent immédiatement une identité, une atmosphère, un supplément d’âme.

Et puis il y a une vraie mission sociétale derrière tout ça.
Exposer des œuvres, c’est participer à la démocratisation de la culture, encourager la création, et offrir des émotions à ceux qui vivent ou travaillent dans ces espaces.
L’art apporte du plaisir, du bien-être… et souvent, un vrai boost de créativité pour les équipes.

Et cerise sur le gâteau : c’est aussi avantageux sur le plan fiscal.
une entreprise qui achète une œuvre originale d’un artiste vivant pour l’exposer au public peut déduire le prix d’acquisition de son résultat imposable.
À une condition : que l’œuvre soit visible gratuitement pendant au moins cinq ans, dans un lieu accessible au public ou aux salariés.
Autrement dit, c’est bon pour la culture, pour les collaborateurs, pour l’image… et pour les finances !

3. Avez-vous observé une évolution dans la manière dont les collaborateurs et les visiteurs perçoivent l’art au bureau ?

Oui, l’art est de plus en plus perçu comme un élément stratégique et non décoratif. Les collaborateurs apprécient les initiatives qui enrichissent leur quotidien et les visiteurs s’attendent à des espaces qui reflètent la créativité et l’identité de l’entreprise.

De plus, dans un cadre de travail, les cerveaux s’activent, calculent, organisent ; devant une œuvre d’art, ce sont les cœurs qui s’éveillent et les émotions qui parlent. Je pense que les collaborateurs et visiteurs ne peuvent qu’être sensibles à cette proposition qui peut peut-être toucher un peu leur âme.

Je vois de plus en plus d’intérêt dans les entreprises et professions libérales (cabinets d’avocats, médecins…). Certains des patrons sont déjà personnellement attirés par l’art quelquefois déjà collectionneurs. Ils aiment s’entourer d’art et cela dépasse la sphère privé pour s’étendre au domaine pro.

Collaboration with Parella

1. You are starting a collaboration with Parella on an artistic integration project. What appeals to you about this approach?

I was fortunate that Parella asked me to assist them with their art curation services for businesses. Their ability to create immersive and personalized experiences resonates perfectly with my vision: a project where art and architecture come together to transform space.

2. How do you see the complementarity between your expertise and that of Parella?

LDG Art & Patrimoine provides the artistic selection and knowledge of artists, while Parella masters the spatial experience and technical integration. Together, we can create coherent and impactful projects.

 3. In your opinion, what does a well-thought-out artistic approach bring to a real estate or development project?

It enriches the space, creates an emotional connection, enhances the company's image, and offers users a unique experience that goes beyond pure functionality.

Artistic photo with a circular artwork
© LdG Art & Heritage
Photo of a fabric artwork
© LdG Art & Heritage

Trends & future of art in business

1. What major trends do you see emerging today in the integration of art into workspaces?

Immersive, interactive, or modular art that encourages participation and reflection; sustainable and responsible art; and collaborations with emerging artists to make each space unique.

2. How do you imagine the office of tomorrow in terms of artistic experience
?

As a flexible and lively place, where art evolves with usage, stimulates creativity and encounters, and becomes an integral part of the company's identity.

3. Finally, if you had to give one piece of advice to a company wishing to embark on an art curation project, what would it be ?

Take the time to understand your identity and that of your employees, then choose works that create a real dialogue with the space and the people who live in it. I can support them in their approach, from the choice of works to installation and communication.

Final question

If your gallery were a work of art, which one would it be?

I have a particular fondness for Alberto Giacometti's work "The Walking Man." With its elongated, frail, and almost fragile form, it evokes deep emotions related to the human condition. We perceive both the vulnerability, loneliness, and fragility of man, but also his silent strength and perseverance. Despite its apparent fragility, the sculpture exudes a subtle power: the man continues to move forward, reflecting resilience and courage in the face of adversity. This duality between fragility and determination creates an emotion that is both melancholic and inspiring, inviting contemplation and reflection on existence. An optimistic and meaningful work that has left its mark on art history.
It is also an immersive work that can be walked around, a sculpture that can be touched.

The founder with one of her works
© LdG Art & Heritage

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Paris Art Week: Art to Enhance Your Spaces

For a week, galleries, fairs and performances brought the capital to life.

Between the second edition of Art Basel Paris, under the majestic glass roof of the Grand Palaisand the first edition of MaSH Matignon Saint-Honoré, our teams plunged into the heart of an inspiring ecosystem, anchored in our everyday life in the 8ᵉ arrondissement.

Under the patronage of Pierre Yovanovitch, MaSH brought the Faubourg Saint-Honoré to life: 37 galleries, simultaneous openings and urban performances transformed the district into an open-air artistic promenade.
A vibrant experience, perfectly in tune with Parella's philosophy: to evolve in a place where the heart of art beats.

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Building exterior, display
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Our Parella favourites

During this week of creative activity, we discovered bold, poetic and inspiring worlds.
Here are some of the highlights of our journey:

  • The 20/21 Marquee Week exhibition exhibition at Christie's Paris, a highlight of the international calendar, is highlighted by a monumental monochrome by Yves Klein.

  • Pierre Yovanovitch's selection of "10 favorites", a blend of elegance, audacity and sensitivity.

  • Simon Porte Jacquemus' "Mythes" exhibition by Simon Porte Jacquemus at the Collège des Bernardins, where ancient sculptures and works by Aristide Maillol interact gracefully in a scenography by Galerie Chenel and Galerie Dina Vierny.

  • Yoann Bourgeois's immersive performance, where poetry and movement meet in urban space, offering a unique sensory experience.

What about parella?

For Parella, this artistic immersion nurtures a strong conviction: art is a lever for experience and connection.
Integrated into professional environments, it transcends mere decoration to become a vector of emotion, creativity and performance.

We design spaces that are inspired by this energy: sensitive places, conveying meaning and identity, where art dialogues with use.
Because offering everyone an inspiring setting also means encouraging encounters, reflection and everyday well-being.

Paris Art Week has once again demonstrated that the future of our working environments is nourished by this essential alliance between art, design and people.

Sculpture, scenography
Parella

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Parella at the heart of the 11th Rendez-Vous de la Matière by FORMÆ

A must-attend event for those involved in creativity and innovation.

On October 9 and 10, 2025, Parella participated in the 11th edition of Rendez-Vous de la Matière by FORMÆ, held at the Carreau du Temple in Paris.

A true laboratory of creativity and innovation, this trade show has, in just a few years, become a major event for architects, designers, artisans, luxury brands, and real estate developers seeking new inspiration.

With over 100 selected exhibitors, an immersive exhibition design by Pauline Leprince, and 7,000 trade visitors, the 2025 edition confirmed the fair’s role as a leading platform for materials and contemporary design.

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Contemporary design and collectible design in the spotlight 

One of FORMÆ's outstanding new features was the inauguration of a space entirely dedicated to contemporary design and collectible design, where young talents and established designers were able to dialogue on the creation of unique objects on the borderline between art and furniture.
This new sector is positioned as a privileged field of experimentation, reflecting the latest aesthetic and functional trends.

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©Anna Muller

Prix FORMÆ: excellence rewarded

Another highlight of the show was the first edition of the FORMÆ Prize, presided over by Jean-Michel Wilmotte and Sébastien Maschino, which spotlighted the most innovative projects.

  • Manufacture Prize: awarded to Gwilenfounded in Brest by Yann Santerre, for its transformation of marine sediments into a sustainable, low-carbon mineral material.
  • Savoir-Faire Prize awarded to Ateliers SP by Élise Blouet-Ménard, for designer Marianne Brisville's contemporary reinterpretation of straw marquetry.
  • Design Prize: awarded to Flos for SuperWire, a modular lighting collection by Forma Fantasma, combining technological innovation and timeless elegance.

The trophies, designed by Jean-Michel Wilmotte and produced by COGITECHsymbolize the fusion of craftsmanship and avant-garde design.

Parella, in search of tomorrow's materials and emotions

Under the glass roof of the Carreau du Temple, Parella teams explored the textures, materials and shapes that will nourish tomorrow's workspaces.
This immersion continued with the discovery of "Onze", a fragrance for architecture imagined by Jean-Michel Wilmotte and Emmanuelle Grin, a veritable bridge between sensorial design and spatial conception.

This show was a moment of collective inspiration for our architects, designers and consultants, reinforcing our commitment to imagining sustainable, inspiring and meaningful environments.

Khaki green corridor, wooden floor leading to an all-wood room with a chandelier desig
©Flos
Materials laid on concrete slabs themselves laid on fine khaki-green beads.
©Gwilen

In conclusion: materials as engines of transformation

By taking part in this year's Rendez-Vous de la Matière, Parella confirms its commitment to driving change in the world of design and commercial real estate.
Through curiosity, collaboration and experimentation, we continue to redefine the way in which professional spaces are designed and experienced.

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An immersive journey into the heart of contemporary art.

For this 15ᵉ edition, the capital was transformed for ten days into a living laboratory of trends, experimentation and dialogue around objects, materials and space.
Parella was of course there, curious and on the lookout for what design is saying today about tomorrow's world.

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A bold, immersive edition 

The 2025 edition stood out for its bold scenography and its taste for creative cross-fertilization. Between monumental installations, such as Jérémy Pradier-Jeauneau's poetic labyrinth at the Hôtel de la Marine, and immersive experiences, such as the Design Disco Club proposed by Lafayette Anticipations, the city became the stage for a design to be experienced and felt, much more than contemplated. Spaces were reinvented: textiles sculpted as much as they clothed, objects questioned as much as they decorated, and design became a pretext for debate, narrative and sensory exploration.

Parella's favourites: between craftsmanship, heritage and modernity 

Among the most inspiring creations of this Paris Design Week, the leather and glass chair from the Crépuscule collection, by Atelier Munae (founded by Sarah Gracia), explores with finesse the union between craft and design, combining glass, metal, wood and leather.

In a different register, the graphic handles designed by Pauline Borgia for Plum Living come in a new collection, sometimes statutory, sometimes symbolic, in a palette of softened shades: pale yellow, faded green, light grey. Even more enveloping, the Parenthèse décor, designed as a veritable cocoon by Anne-Sophie Pailleret for Élitis, seduces with its soft tones of white and cream, creating a soothing atmosphere.

The duo Hauvette & Madani, in collaboration with Marine Breynaert, presented a series of pieces: the Serge table, the Le Soufflé armchair, the Corbeille wall lamp and the Gioiello lamp, illustrating a design with assertive lines and contemporary elegance. In a more textile spirit, the scenography imagined by Goodmoods for Le Jacquard Français, inspired by the world of Adam Pogue, features patchwork compositions around the table, both graphic and vibrant.

Last but not least, Hyacinthe Design's re-editions of emblematic pieces from the 1945-1960 period bring this panorama to a fitting close: each creation, hand-crafted, numbered and produced in France, combines authenticity, function and timelessness, in a sensitive dialogue between heritage and contemporary creation.

A bold, immersive edition 

For Parella, this immersion nurtures a strong conviction: design is a lever for experience. Our workspaces must draw inspiration from these avant-garde trends.

This abundance of creativity confirms a conviction we hold at Parella: design is no longer limited to beauty. It conveys stories, values and sensory experiences that will nourish tomorrow's spaces, including - and above all - work environments.

Trends spotted at Paris Design Week inspire us to imagine offices that are more alive, more emotional, more in tune with their users.

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Once again present at the Maison & Objet trade show, Parella continues to fuel its thinking by exploring the most influential creative scenes in contemporary design.

Under the artistic direction of Amélie Pichard, the 2025 edition centered on the warm and unifying theme “Welcome Home”: an invitation to rethink our living and working spaces as sanctuaries, conducive to reconnecting with ourselves, others, and the world.
A meaningful central theme that infused the event with a unique creative energy, focused on sustainability, individuality, and emotion.

The designers showcased pieces combining two materials, furniture with bold lines, and statement objects, blending visual harmony with a sense of purpose. The collection as a whole reflects a design that transcends mere functionality to become a true language
of expression and transformation.

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Our Parella favourites

For five days, we explored bold, poetic, sometimes even confusing, but always inspiring worlds. Here are some of the highlights of our visit:

Among the most striking proposals, the Policronica studio seduced us with its Alicate floor lamp, with its sculptural lines, accompanied by radically modern wooden chairs.
Belgian studio Duplex, meanwhile, sublimated reclaimed industrial materials into singular, expressive color-block furniture. Last but not least, the Haus Otto duo captured attention with Zoom, a hybrid rug that blends textile innovation and artisanal know-how.

Focus on the German scene: talents to watch

This year, Germany has established itself as one of the most dynamic hotbeds of contemporary creation.

The Rising Talent Awards honored seven promising designers; Friedrich Gerlach, Marie Luise Stein, Moritz Walter, Haus Otto, Gerlach & Heilig, Studio Œ and Gabriel Tarmassi whose approaches explore sustainability, modularity and even biotechnological experimentation. From wood sculptures to integrated technological objects, their work reflects a new generation of designers in search of meaning and impact.

In addition to the exhibits, the show was also a space for reflection and exchange.
In a remarkable Talk, Amélie Pichard, accompanied by Omar Ghannam and Olivier Waché, argued for a decompartmentalized design, at the crossroads of craftsmanship and innovation, conceived to arouse emotion as much as use.

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table in light wood, with black chair

AND FOR PARELLA?

For Parella, this immersion nurtures a strong conviction: design is a lever for experience. Our workspaces must be inspired by these sensitive avant-gardes, where the visual dimension is placed at the service of use, well-being and relationships.
We design flexible environments, aligned with the identity of companies and the real needs of their teams.

Maison & Objet 2025 showed that the future of design is already here, alive, committed and
radically human.

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Small living room with red and yellow armchairs, light wood coffee table, at NAOS, by Parella

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