PARIS DESIGN WEEK 2025

Light wood decor, round table in the center of the room with pampas bouquet, surrounded by brown and beige fabric armchairs. Wall-mounted decorations

Paris design week 2025

An immersive journey to the heart of contemporary creation

For this 15ᵉ edition, the capital was transformed for ten days into a living laboratory of trends, experimentation and dialogue around objects, materials and space.
Parella was of course there, curious and on the lookout for what design is saying today about tomorrow's world.

Light wood decor, round table in the center of the room with pampas bouquet, surrounded by brown and beige fabric armchairs. Wall-mounted decorations

A bold, immersive edition 

The 2025 edition stood out for its bold scenography and its taste for creative cross-fertilization. Between monumental installations, such as Jérémy Pradier-Jeauneau's poetic labyrinth at the Hôtel de la Marine, and immersive experiences, such as the Design Disco Club proposed by Lafayette Anticipations, the city became the stage for a design to be experienced and felt, much more than contemplated. Spaces were reinvented: textiles sculpted as much as they clothed, objects questioned as much as they decorated, and design became a pretext for debate, narrative and sensory exploration.

Parella's favourites: between craftsmanship, heritage and modernity 

Among the most inspiring creations of this Paris Design Week, the leather and glass chair from the Crépuscule collection, by Atelier Munae (founded by Sarah Gracia), explores with finesse the union between craft and design, combining glass, metal, wood and leather.

In a different register, the graphic handles designed by Pauline Borgia for Plum Living come in a new collection, sometimes statutory, sometimes symbolic, in a palette of softened shades: pale yellow, faded green, light grey. Even more enveloping, the Parenthèse décor, designed as a veritable cocoon by Anne-Sophie Pailleret for Élitis, seduces with its soft tones of white and cream, creating a soothing atmosphere.

The duo Hauvette & Madani, in collaboration with Marine Breynaert, presented a series of pieces: the Serge table, the Le Soufflé armchair, the Corbeille wall lamp and the Gioiello lamp, illustrating a design with assertive lines and contemporary elegance. In a more textile spirit, the scenography imagined by Goodmoods for Le Jacquard Français, inspired by the world of Adam Pogue, features patchwork compositions around the table, both graphic and vibrant.

Last but not least, Hyacinthe Design's re-editions of emblematic pieces from the 1945-1960 period bring this panorama to a fitting close: each creation, hand-crafted, numbered and produced in France, combines authenticity, function and timelessness, in a sensitive dialogue between heritage and contemporary creation.

A bold, immersive edition 

For Parella, this immersion nurtures a strong conviction: design is a lever for experience. Our workspaces must draw inspiration from these avant-garde trends.

This abundance of creativity confirms a conviction we hold at Parella: design is no longer limited to beauty. It conveys stories, values and sensory experiences that will nourish tomorrow's spaces, including - and above all - work environments.

Trends spotted at Paris Design Week inspire us to imagine offices that are more alive, more emotional, more in tune with their users.

light wood armchair with white and blue fabric

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Small living room with red and yellow armchairs, light wood coffee table, at NAOS, by Parella

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